How to Write a Symphony

Planning Your Symphony

Get inspired. The most important thing you’ll need while writing your symphony is an idea. To generate ideas, you’ll need to start thinking creatively. Set up a musical session with some of your instrument-playing friends to improvise some potential melodies. Look back through old journals to remind yourself of feelings or life events that you might be able to use in your work. Keep a notebook with you at all times to record ideas. Whenever an idea comes to you, write it down immediately so you don’t forget.

Listen to composers you admire. Practice writing your music the way those composers wrote theirs. It isn’t plagiarism to be inspired by someone else, and that inspiration fused with your own point of view will make it so that your music will sound completely like your own. Try to listen to a wide cross-section of different symphonies. Different composers have different styles and use different techniques. Listening to a lot of different styles of symphonies will help you become inspired to write your own. Check out the list of symphony composers on Wikipedia. The list is reasonably complete dating from the Baroque era to present and most composers on the list aren't well known.

Pick your themes. Essentially, symphonies are musical stories, and should have characters, or, themes. These themes are then explored in different keys throughout the piece and in music, in what’s known as exposition. Try to pick contrasting themes, like good versus evil.

Create an outline. Symphonies are traditionally composed of four separate movements, which each have different forms. The first movement tends to be in Sonata form. The second movement is usually on the slower side and may be a set of variations. The third movement will generally be a Minuet or Scherzo and Trio. And the fourth movement is there to give the piece some closure and is often in rondo form. In your outline, list out everything you want to pin down about your symphony. This can include your inspiration, emotions, form, key and themes. List these out for each of your individual movements. Don’t be afraid to make the form your own. If you want to create something different than the traditional four-movement symphony, do that. Sometimes composers swap the second and third movements. There have been three movement symphonies, usually omitting the minuet. There are five movement symphonies, often adding a March, or maybe another Scherzo or Minuet between the third and last movement. There are some with more than five movements, taking inspiration from Beethoven's 9th; the best known of these including the Romeo et Juliette symphony by Berlioz and Mahler's Symphonies. Rarer still are some with two movements, like Schubert's 8th 'Unfinished' Symphony, and Sibelius's 7th Symphony, which is a single-movement symphony. Often symphonies since the Romantic era have had a "theme", which ties all of the movements together, and which may stay the same or vary as well. Think outside the box and have fun with it.

Writing Your Symphony

Gather your materials. In order to write, you will either need staff paper and a writing implement, such as a pencil or pen, or some kind of music writing software. Writing by hand is problematic because, in order to hear what you’ve played, you have to be able to play an instrument or you need to find someone else who can. With music notation software, you’re able to hear what you’ve written immediately, using the computer playback. Some examples of music writing software include: Sibelius First, Finale and MagicScore Maestro. For free music writing software, try MuseScore and Lilypond. If you play or have access to an instrument, you can try playing your melodies using your instrument to hear how they sound before writing them down.

Start writing. Using the outline you created earlier, construct each individual movement. While writing, you’ll need to be constantly making decisions regarding different musical techniques and styles within your piece. Some of those techniques include: Dynamics Rhythms Intervals Harmonies Theme development Counterpoint Voice leading Orchestration

Assign melodies to different instruments. Traditionally, symphonies are written for the following instrumental types: strings (violin, viola, cello, and bass), woodwinds (2 flutes, 2 oboes, 2 clarinets, and 2 bassoons), brass (2 French horn, 2 trumpets with a small orchestra), and percussion (2 tympani, triangle, and cymbal) for a small orchestra. A medium size is when you can add a piccolo, English horn, bass clarinet, contra bassoon to the woodwinds and double the number of French horns and add 3 trombones plus a tuba to the brass as well as extra percussion instruments. If you can go larger, go for it. You don't, however, have to stick with traditional instrumentation. If the instruments are available and there are players to play them, feel free to use other instruments in your symphony either adding them or using them like different colors (eg. replace one traditional instrument with one non-traditional one). For example, Adolphe Sax, the inventor of the saxophone family, designed his instruments for the orchestra (built in the keys of B♭ and E♭) as well as the military band. You could also include an instrument that's been revived like one of the recorders, the viola da gamba or the oboe da caccia for example. Some symphonies also have vocal accompaniment. Try giving the same melodies to different instruments at different times to create a motif within the piece. Pay attention to layers and texture. There should never be any more than five layers happening at one time.

Editing Your Symphony

Give yourself a couple days away from your symphony. Use this time to think about and do other things. Taking time away from your music will allow you to come back to it with fresh ears, so you can edit with a clear head.

Re-listen and revise. Play through your symphony again. Take out anything that doesn’t jar with your artistic vision. If you feel that your symphony is too long or too short, adjust accordingly. Try playing through your symphony on the piano. Even if you’re not a skilled pianist, you should still be able to play the melodies. As a composer, playing through your music will help with making sure your piece isn’t too muddled. It will also enable you to see what is in every register at all times.

Invite your friends and other musicians you trust to perform and give feedback on your symphony. Listening to your symphony played all the way through will give you a whole slew of new insights on your work. Your friends and performers might also have suggestions of changes you can make that you might never have thought of yourself. Do not get defensive about their suggestions: they are only trying to help and you are not bound to utilize any of their feedback if you don’t agree with it.