How to Write a Photography Critique

Formatting Critiques

Outline your critique before you write it. Take notes on your initial thoughts and suggestions while looking at the photograph.. Make a list of key points and list them in the order you want to present them. Include details near your talking points to expand upon in the critique. Refer to your outline as you write to maintain organization.

Structure the critique into an introduction, body, and conclusion. Organized critiques will give the photographer a clear understanding of your perspective. Begin with a paragraph introducing your standpoint and overall impressions. Then, use the body to expand upon your thoughts and offer more specific advice. Close with a final paragraph, where you can give a summary of your thoughts. Write your introduction after you've written the body so you know what to summarize.

State what you think works well first. Before you dive into criticisms, write a paragraph or two about what you thought the photographer went well. Critiques don't have to be entirely negative. Writing about elements you thought worked can help the photographer improve, too. Writing your positive thoughts first can make the photographer more open to negative opinions.

Use clear and concise language. You have little time for flowery language in critiques, as the purpose is to advise the photographer. Openly state what you thought about certain elements and why you came to your opinion. Brevity is necessary, but make sure each sentence is a complete thought.

Include recommendations for improvement. Critiques are different from general reviews in that they include guidance for the photographer's future revisions. Never give an opinion without following up with suggestions for change. One to two sentences is usually sufficient.

Evaluating Technical Components

Assess the exposure. When photographers shoot photos in an unflattering exposure setting, the lighting and contrast may look washed out. Determine whether the exposure makes the subject seem faded out or muddled. Recommend a different exposure setting if so. Suggest that the photographer experiment with aperture or shutter speed if the exposure seems off.

Check the photo's focus. Study it for unintentional blurriness. After evaluating potential camera errors, analyze the photo's subject. Is the focal point ideal for the picture, or could the artist have chosen a different angle? Offer advice for the photographer if the focus is obscured or misguided. Landscape photos often look best in sharp focus. Soft backgrounds with a focal point on the subject works well in portrait photography.

Comment on the focal length. Focal length involves how close or far away the subject seems, or how close together the subjects seem. If the photo seems squished together or excessively spaced apart, the focal length might not complement the photo. Offer suggestions to retake the photo with various focal lengths.

Look for dust, glare, or other errors. Unwanted dust or lens glare can ruin an otherwise well-taken photo. Recommend that the photographer clean their lens or pay more attention to light sources. A sentence or two about either should suffice, with the majority of the critique focused on more overarching elements.

Analyzing Composition

Write about the shot's composition. Study the angling of the shot and what the photographer decided to include. While assessing the photograph's quality, look for any elements that detract from everything else. Point out anything that seems awkward, backgrounds that stand out too much, or technical errors that distract from the subject.

Observe the photo's visual weight. When you first look at the photograph, write down where your eyes go first. Compare this with what the most intriguing part of the photo is. If these two areas don't match up, write down ways for the photographer to create intriguing visual weight. Visual weight can be improved by introducing contrast, focusing on eye-catching colors, and changing the picture's angle.

Study the photo's color. Some subjects might look better with warmer tones, while others naturally thrive with a cool tone. Others still could benefit from a black-and-white or sepia filters. Look at the photo's color, and offer suggestions to make the tone look more natural. Advise the photographer to avoid artificial light, take photos without flash, or try out different filters.

Examine the background. Backgrounds can either highlight the subject or greatly detract from the overall picture. Ask yourself if the background is too busy, if it makes the subject look dull, or if it is too focused/out-of-focus. Provide suggestions for alternative backgrounds if the current one doesn't work.

Maintaining a Constructive Tone

Critique the same way you would want to be critiqued. Remember the Golden Rule, which is, of course, treat others how you would want to be treated. Simple comments (e.g. "Good job!") or insults (e.g. "Your photograph is garbage") will not help the photographer. If you were receiving a critique, you would probably want the writer to be thorough and fair. Extend this artist the same respect.

Explain why you like or dislike an element. Avoid one-word or one-sentence critiques. Writing to the photographer about how much you enjoyed the picture is flattering but won't teach them anything. Positive and negative comments are equally welcome in a critique, but without explanation, they lack value. Photographers will listen to negative comments more intently if backed up with commentary. Instead of, "I love this duckling picture!," you might say, "The ducklings make a strong focal point, and softening the background allowed their colors to pop."

Look at the photo as objectively as you can. If you know (or are) the person who took this photo, you may come into the photo with a bias. Put aside all personal emotions that could color the lens with which you see this photo. Avoid snap judgments: look at the photo for at least 5-10 minutes before composing your critique.

Reframe blunt passages. Read over your critique and look for overly-emotional or unkind phrases. Take out judgments (like "stupid" or "unprofessional") and state facts. Try to keep from using "you" or "your," which can make the photographer feel personally attacked. Instead of, "Your exposure looked terrible," for example, you could say, "The picture could benefit from a faster shutter speed setting."

Avoid mixing technique with personal opinion. Sometimes a photograph might look professionally well-done but conflict with your personal taste. Recognize whether you're critiquing a technical error or expressing your aesthetic taste. Put your focus on the former to avoid discouraging the photographer's style.