Article 370: Adivi Sesh Lauds Yami Gautam's Political Thriller, Calls Film 'Grounded'
Article 370: Adivi Sesh Lauds Yami Gautam's Political Thriller, Calls Film 'Grounded'
Yami Gautam's ‘Article 360’ is set against the backdrop of true events. The film hit theatres on Friday, February 23.

Yami Gautam starrer Article 370 is finally in theatres and is receiving a positive response from the audience as of now. On Friday, actor Adivi Sesh also took to his Instagram stories and penned down a long note praising Aditya Dhar’s film. Sesh called Article 370 a “well crafted political thriller” and congratulated the entire cast and crew of the film.

“Very rare does one see a well crafted political thriller done right like #Article370 got to witness the amazing @yamigautam in her best performance without a doubt. And @Pilumani garu. Dear @Adityadharfilms you are now 2 for 2 bhai. The film is grounded and urgent. Thank you for having us at the Mumbai preview. Kudos to the other actor Aditya. Director #AdityaJhambale on a layered debut and Lokesh. The entire cast and crew as well. Stellar (fire emoji),” Sesh wrote. Check it out here:

Directed by Aaditya Suhas and Jambhale, ‘Article 360’ is set against the backdrop of true events. The film offers audiences a gripping narrative woven with political intrigue, national security, and pulse-pounding action sequences. Besides Yami, the film also stars Priya Mani, Arun Govil and Vaibhav Tatwawadi among others.

News18 Showsha’s review of the film reads, “Article 370 has been shot in some real locations that imparts a lot of authenticity to the narrative. Cinematographer Siddharth Vasani captures the essence of Kashmir with aplomb that each frame set there smells of the valley. The solemnity of the narrative is perfectly conveyed through muted tones of blue and grey that predominates the film. At 2 hours and 40 minutes, Article 370 largely manages to keep you hooked. The makers waste no time and dive into the crux of the story in the first half and it makes for a fast-paced experience till the point of intermission. It’s the second half of the film that appears stretched out.”

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